Hunger Games and a Contest Reminder

Phew, I just found the Hunger Games books at the library and I devoured the first one already. And the half of the next one too, actually. Amazing books with amazing writing. I normally don't like present tense prose, but Suzanne Collins does it so well that I don't even notice it. And honestly, I can't imagine these books written in any other way.

I suppose most books are written in either first person, past tense; or third person, past tense (yeah, I also needed to do the maths here when I read over this entry). The first person, present tense is something that's becoming more and more popular. It's good for fast paced, action packed books. It gives the reader the intense feeling that they're right there with the character. 

First person with a mix of past and present tense is also something I'm seeing more of. Like Charleine Harris's Sookie Stackhouse series. She'll write most of it in past tense, but once in a while there'll be something in present tense, like when Sookie is stating a fact about herself. I kind of like this style.

What's your favourite to read and your favourite to write?

Just a simplified reminder of the Trilogy Contest:

You fill out this form to take part. You can get additional (for additional work) by filling out this form.

The requirements are that you need to follow my blog, Marieke's, and Rach's.

It's international and it's up to you how much work you want to put in the forms - just stating you're a follower to all three is enough to take part, but you can up your chances by blogging, tweeting, etc.

You'll get the chance to win one of the prizes:

3 x query or synopsis (max. 2 pages) critiques (winner's choice)

3 x first 300 words critiques

3 x first 3 pages critiques

3 x first 30 pages critiques

Across the Universe, by Beth Revis (from Rachael)

Mockingbirds, by Daisy Whitney (from Marieke)

Unearthly, by Cynthia Hand (from me)

3 x Amazon gift certificates of $30 each from the ones who reach 300 followers before the contest ends.

Writing a Synopsis is Fun!

I have finished sending out all the queries that didn't require a synopsis. I had already written a synopsis, but I didn't think it was good enough. I spent yesterday afternoon writing a very detailed 2,400 worded synopsis -- which is way too much (should be around 1,000 for a two-page synopsis, and 500 for a one page synopsis). One agent requested detailed synopsis and I'll send this one to her. Then I'll print it out again and hack and slice until I have 1,000 and then 500 words for the others. There are 14 agents on the synopsis list and I'll query them next week.

I still haven't made a list of the snail-mail ones. The reason is that I live in Iceland and I haven't been to the post office yet to see about SASE's or IRC's (Internation Reply Coupon). Most snail-mail agents request SASE, but some mention that if you live outside the USA, you might need an IRC. There are two agents in particular that I want to query via snail-mail, so I have to get going on this.

I also haven't made a list of the one-agent agencies (excluding a couple whose blogs I'm following). My three-year-old twins are taking their kindergarten vacation next Monday and will won't be back there until a month from now. That means that I'll have less time to query and write. It also means that I've been pressed for time this week to try to do as much as I can before next Monday, and making the one-agent list was one of the things I haven't had time for. Again, this doesn't mean that I don't want to work with them, it just means that I haven't had the time (I have them bookmarked). Apart from two snail-mail agents, I'll probably do the one-agent agencies first.

I know that many writers bite their nails when it comes to synopsis writing, but I enjoy it. It is all thanks to Randy Ingermanson and Peter Economy, who wrote Writing Fiction for Dummies. How new a writer must I have been to have bought a Dummies book to write? I had actually written the manuscript before I bought it (along with other books), but this one was my best-buy. Their very simple advice on how to write a synopsis has helped me a great deal and makes writing it fun. I also feel that now that I have written the synopsis twice, I know my book better and I didn't have to look at the manuscript once to write the very detailed synopsis yesterday.

Randy and Peter's synopsis is made from the three-act structure one does when following the book. I seriously recommend this book if you're having trouble writing a synopsis.

I think that one other reason I think writing a synopsis is fun is because I'm a rule-girl. By that, I mean that I'm good at writing instructions and have a good eye for details. This is one of the things I have to do at my job, writing rules, guidelines and such. I also used to run a Harry Potteresque website and wrote all the rules and instructions there + I used to lead a guild in World of Warcraft (hey, I'm a geek and proud of it!) and wrote the rules and instructions on our website. So I have experience in writing sort of guide-like texts.

In other news:

I got one more rejection yesterday and one "we don't represent fantasy anymore". Still no tears. These rejection are mostly from big agencies and I sort of expected them. There are still a few big agencies who haven't answered, but I know that not all of them will answer. Might I mention that I think it's rude when agencies don't send form rejection letters to all they're not interested in? Writers spend months waiting and hoping and here the agent has deleted the query weeks ago without a word. How hard is it to reply with a standard text? I'm sure it's no harder than getting follow-up emails and re-queries, having to read through those and delete-again.

I highly respect those who reply to their emails (even if they're form rejections). I sort of think that the ones who don't reply to all queries sound kind of way up there and we are way down there.

My Query Synopsis

CuteCutePics.com

I have decided to finally reveal a little about what I‘m writing. I‘ve finished my query synopsis, and it is posted below, but I‘ve snipped out three sentences that would be too revealing. Agents/publishers need a more detailed synopsis that would be spoilers for readers.

--> Tell the agent what your book is about, revealing the end if you have to, and don‘t leave the synopsis with only a clue.

Wishes really do come true! At least for sixteen-year-old Eva Jones, who lives with her obnoxious foster parents in New Jersey and wishes for nothing more than to escape to a different place. What Eva does not wish for, however, is being chased by ghosts, having eerie dreams, and waking up with a nasty spider with wings on her face.

Stuck in the fantasy world of Mira Fir, Eva encounters a deviously handsome and evil young man of the deadly Myrkvera race. She is presented with two choices: help the Ljosvera, casters of light and life, obliterate the few remaining Myrkvera or help the Myrkvera defeat the Ljosvera empress and take over the world.

Snipped out are two final sentences and one and a half in paragraph two.

The names Myrkvera and Ljosvera are Icelandic (Being of Darkness and Being of Light). I started jolting down ideas for the book in January 2006 and up until the summer of 2009, I still didn‘t know what to call the two races. So I chose these names while my brain was hurting, but I like them now. They describe the races perfectly.

I had five words describing Richard, but then I ended up cutting him out of the synopsis entirely. Yes, he‘s a big deal to Eva, but I found that mentioning him was unnecessary.

--> Choose only one to two characters for your query synopsis. It can get a little confusing if you have more.

There‘s obviously more to the whole novel, but this is the essential plot of this book (first of three...at least, I‘m sure I could write more from this world). I had a lot of fun with the world in the very first version of the manuscript, but then I had to chop out a lot to make the book more to the point (supposedly that‘s what publishers want). It‘s not a big deal though, I can always write a series of short stories later.

So, knowing that there are three sentences removed from the synopsis, what do you think? Does it grab attention? Is it confusing? ...Is the punctuation correct?...

Task for the day: Send out some query letters and take ten deep breaths!

The Calm before the Storm

http://officeofstrategicinfluence.com/calm/ © TONIVC

I have completed the majority of my agency list. Phew, it was a lot of work! I recommend people start on their lists early if they intend to send out queries to many at a time. It took me at least 30 hours all in all to find the agencies, read through their submission guidelines and choose the agent I wanted (by reading the profile of each agent). I also wrote down their email addresses.

--> Start on your agency list early.

I had a whole Word page with names of last-minute agents that I found last Friday and decided to go through it yesterday. I’m so glad that I did! I ended up with 56 agencies, and that’s excluding the one-man ones and the snail-mail ones. Going through that list increased the number in my snail-mail folder though. Why do agents still request forests of queries/manuscripts? I simply love the agencies who request emails only, because they don’t want paper wasted.

--> Prioritize.

I haven’t personalized the query letters yet, but I intend to. They have very different requirements: some request the query letter only, some want 5-10 pages, some 50 pages, one wanted the entire manuscript as an attachment, and some want 1-2 page synopsis, etc. Most don't accept any attachments, but a couple do. I’ll have to read each guidelines very carefully to have a chance.

--> Read the submission guidelines carefully and personalize the query letters. Don't send out mass-queries (Cc's and Bcc's).

Some agencies request exclusive queries, and I decided to ignore those agencies. I might try them if all the others decline. There was actually one agency that said something like “We request that you query more than us. Writers shouldn’t query exclusively.” That made me laugh and the agency earned my respect immediately.

--> Query more than one at a time.

Some agencies forbid querying more than one agent at their agency (no from one means no from all), but some only forbid to query more than one at a time. Janet Reid says to query the others regardless. I suppose I might try it if the agency is big.

--> Query one agent within the agency at a time.

I have also decided to include a line in my queries saying that I’m sending out multiple queries, just to have everything upfront. Some specifically say they want to be told, but others don’t mention it. At first I thought that they’d put those queries aside and focus on the ones submitted exclusively (as some claim to do), but now I’ve come to a different conclusion. I think that they want to read the multi-submitted ones to be able to snatch up the writer before anyone else does, if the query letter sounds promising. I haven’t been able to verify this, but in at least three guidelines there was a text asking writers to let them know if they’ve gotten proposition of representation elsewhere, so that they might make a counter-offer. That means that, say, if I got an offer from Agency X and I also queried Agency Y some time ago, but hadn't heard from them, I’m supposed to send an email to Agency Y and tell them about the offer in case Agency Y wants to have a go. Maybe I'll ask Janet, Rachelle, or Kristin about it.

--> Let the agencies know that you're querying others, too.

The reason I checked the submission guidelines first was to put aside the snail-mail ones. I bookmarked them to list them later. Obviously I’ll try the email-ones first, because they're faster and don't cost anything, but there’s one in particular I’ll want to snail-mail, and that’s the agent of the House of Night series, since that’s my genre.

I also bookmarked in a separate folder “one-man agencies”. That doesn’t mean that I prefer the bigger agencies, it just means that I’ll do more background search on them, and that’s work I’ll have to put aside for a bit.

So what I did was I made five folders in my bookmarks and five Word sheets. I used the same names on the sheets and the folders (Contact 1, Contact 2, etc.) and bookmarked all the ones on Contact 1 sheet in Contact 1 folder. This is to help me later when I have to work my way through the submission guidelines of each agency. I didn’t write the agencies down in any specific order; I intend to query them all. Of course some seemed more like a perfect match for me, but it won’t hurt to send to others to see if they’re interested.

--> Keep a good, organized list on your agencies.

I searched through my genre on PublishersMarketplace, QueryTracker, and AgentQuery and listed them all down. Then I had a webpage of Predators & Editors open and checked each agency to see if they were legit, or had any specific warnings. There were only a few that I took off my list because they seemed iffy. I also eliminated those that take reading fees. I could have done this if they contacted me back to offer representation, but I decided to save myself time so that I won’t have to work my way through their submission guidelines only to learn that they’re dishonest.

--> Check your agencies in Predators & Editors.

So, what’s next? I got back the critique on my query letter and first five pages. I wanted to have the query letter edited to be absolutely error-free, and I got a few pointers with it. I also decided to send the first five pages, because I've made a lot of changes to it since I had the whole manuscript edited. Next up is to apply those changes and then my letter will be ready.

--> Make sure your letter + material is error free.

I have made a full proposal as well and wanted to be able to offer it in the query letter, but since something came up with the editor, I might have to give it a pass. It’s no big deal, really. The agencies only request a query letter, sample chapters/pages, and possibly a synopsis, but never a full proposal for fiction. I just wanted to show that I’d worked hard on the proposal, so less time would go into that after I’m signed.

--> Full proposals are not necessary, but nice.

Task for the day: Apply changes to the query letter and personalize 2-3 letters, but don’t send yet.